Sashiko stitching on patches of denim
Photo: Quinn Chen
Free, Offsite, Workshop, Families

Socrates x Noguchi Field Guide: Mending: Making Stories Visible

Saturday, July 20, 2024
11 am–1 pm
At Socrates Sculpture Park (32-01 Vernon Blvd)
Free with advance registration

Connect with nature through a series of experimental art-making workshops led by Noguchi Educators at nearby Socrates Sculpture Park. These workshops are free and open to all ages. Children under the age of 18 must be accompanied by an adult. Pre-registration is highly recommended, with a limited number of walk-up spots available. All participants will be given a free pass to visit The Noguchi Museum after the program. 

On Saturday, July 20, join Noguchi Educator Joseph Tokumasu Field and artist Quinn Chen for a workshop experimenting with mending practices such as darning, patch-making, and sashiko stitching. Participants are encouraged to bring their own items to mend, while engaging in collective storytelling and learning about Toshiko Takaezu’s lifelong practice of healing and restoration in connection with exhibition Toshiko Takaezu: Worlds Within.

Quinn Chen (they/them) grew up surrounded by the rocky cliffs, abalone shells, and cold rolling fog of Ohlone land in the California Bay Area. Their mother taught them how to sew as a child, an experience that lends their sartorial practice a playful and dreamy sensibility. Their interdisciplinary artistic practice often involves clothing making, sculpture, performance arts, writing, among others. Their work is influenced heavily by friends and lovers, ancestry and ghosts, as well as a desire to create work away from extractive art institutions.

Joseph Tokumasu Field (he/him) holds an MA in curating and arts management from Richmond University in London. He is currently an Educator at the Barnes Foundation, Guggenheim, 92nd Street Y and The Noguchi Museum. He has fifteen years of experience as a museum professional, art history professor, and multi-modal instructor. His teaching practice always centers people over objects and utilizes inquiry-based dialogue. Using the newest scholarship, he strives to rethink long held narratives and highlights marginalized artists. 

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