The artwork will outlive its author. This is the hope of every artist, at least. And while not every work of art will achieve the self-actualization that either changing tastes, public affection, or the art market can provide—enabling paintings, sculptures, and the odd urinal to pass through a succession of either genuinely appreciative or merely speculative hands—this conceit can serve as a subliminal encouragement for the artist in the creative act. It is curious to consider that Isamu Noguchi, who for the first few decades of his career epitomized the “artist’s artist” as an avant-garde sculptor with few sales but a keen grasp of the advantages of media exposure, saw a route for himself as a creator of site-specific works to bypass the conventional trajectory of the studio artist. His conception of the “sculpture of space” as a platform to work beyond a traditional perception of movable/stand-alone sculpture would lead to a reputation as a sculptor and collaborator with an understanding of how sculpture could exist on architecture’s terms.



























- History Mexico, Mexico City (1935). Photo: Miguel de Guzmán. ©INFGM / ARS
- News, New York (1938–39). Photo: Miguel de Guzmán. ©INFGM / ARS
- Interior for Time & Life Building, New York (1944). ©INFGM / ARS
- Interior for Time & Life Building, New York (1944). ©INFGM / ARS
- Interior for Time & Life Building, New York (1944). ©INFGM / ARS
- Interior for Time & Life Building, New York (1944). ©INFGM / ARS
- Lunar Voyage, SS Argentina (1947). ©INFGM / ARS
- Lunar Voyage, SS Argentina (1947). Photo: Rudolph Burckhardt. ©INFGM / ARS
- Gardens at Reader’s Digest Building, Tokyo (1951). ©INFGM / ARS
- Gardens at Reader’s Digest Building, Tokyo (1951). ©INFGM / ARS
- Gardens at Reader’s Digest Building, Tokyo (1951). ©INFGM / ARS
- Gardens at Reader’s Digest Building, Tokyo (1951). ©INFGM / ARS
- Gardens at Reader’s Digest Building, Tokyo (1951). ©INFGM / ARS
- Gardens at Reader’s Digest Building, Tokyo (1951). ©INFGM / ARS
- Shin Banraisha, Keio University, Tokyo (1950). ©INFGM / ARS
- Mu, Shin Banraisha, Keio University, Tokyo (1950). ©INFGM / ARS
- Shin Banraisha, Keio University, Tokyo (1950). ©INFGM / ARS
- Shinto, Bank of Tokyo lobby, New York (1974–75). ©INFGM / ARS
- Shinto, Bank of Tokyo lobby, New York (1974–75). Photo ©Ezra Stoller/Esto
- Shinto, Bank of Tokyo lobby, New York (1974–75). ©INFGM / ARS
- Ceiling for 666 Fifth Avenue, New York (1957). Photo: Alexandre Georges. ©INFGM / ARS
- Waterfall for 666 Fifth Avenue, New York (1957). ©INFGM / ARS
- Ceiling and Waterfall, 666 Fifth Avenue, New York (1957). Photo: Rudolph Burckhardt. ©INFGM / ARS
- Ceiling for 666 Fifth Avenue, New York (1957). Photo: Lynn Massimo. ©INFGM / ARS
- Ceiling for 666 Fifth Avenue, New York (1957). ©INFGM / ARS
- The Family, Connecticut General Life Insurance Company, Connecticut (1956–57). Photo © Ezra Stoller/Esto
- The Family, Connecticut General Life Insurance Company, Connecticut (1956–57). ©INFGM / ARS